#Spectre film length of movie how to
#Spectre film length of movie movie

#Spectre film length of movie movie

Smart, original, and horrifically funny, Teeth puts a fresh feminist spin on horror movie tropes. Or, as Juno might call it, (Or, as the movie puts it, 'the dark crucible that hatched him.') Spectre. But it's Bond - you can't expect it to maintain logic and seriousness for very long, can you? Yes, Spectre is overwrought in places and it could stand to lose about twenty minutes somewhere to make it more punchy, but it's all so entertaining you're not overly concerned with the running length once you're in it.' Teeth ' sinks its incisors into a cross-cultural myth known as vagina dentata. The plot itself is, when examined closely, daft. At barely under two and a half hours, Spectre has enough pacing to keep it interesting and it's punctuated by extended action sequences which helps. However, when that's placed next to Fiennes' M rattling off George Orwell and democracy, it's jarring. There's a real sense of humour to the dialogue, something's that been sorely lacking from Craig's Bonds, which is invigorating. The film has various chunks of it half-constructed that could have easily been moulded into another film. Spectre has a total of four credited screenwriters and it's easy to see why. Where the film begins to falter is in the script.

#Spectre film length of movie how to

Mendes hasn't forgotten how to make an action setpiece look interesting and beautiful at the same time, something he's put to good use throughout Spectre. The highlight is the unbroken tracking shot during the opening sequence with Bond walking through Mexico City during the Day of the Dead that leads up to an incredible mid-air fistfight with a helicopter over a crowded plaza. Likewise, Thomas Newman's score slides effortlessly over the visuals and the stunt-work is truly second to none. Again, like Waltz, he's a callback to the '60s henchman and he truly is a physical presence on screen that's quite visceral.Ĭinematographer Hoyte Van Hotema has crafted an elegant, sumptuous look to Spectre that's as luxuriant and eye-watering as any of the impressive locales Bond frequents. Waltz, of course, is a natural as Franz Oberhauser all haughtiness and coiled-up menace combined whilst Dave Bautista gives a near-mute performance as Mr. Ralph Fiennes, Ben Whishaw, Naomie Harris and Rory Kinnear are relegated to very much a supporting role whilst Andrew Scott slithers into his role as antagonist with relative ease. Madeline Swann whilst a criminally under-utilised Monica Bellucci leaves a lasting impression from the five minutes of on-screen time she has. Lea Seydoux offers up an intriguing female counterpart as psychologist Dr. That's not to say he isn't - he simply wears the scars, both physical and emotional, without any hindrance. There's less baggage with him and he seems, on the surface at least, less tormented and damaged than he has before.

That being said, Waltz's scheming villain plays into that reality with all the pomp and verve of an atypical Bond villain, complete with monologuing and slightly odd-looking outfit.Ĭraig now feels more relaxed and at home with Bond than he has in previous iterations. All while this is happening, Bond is chasing a lead from an old enemy that brings him to Spectre and a man out of his past, Christoph Waltz's Franz Oberhauser.The plot seems to mix elements of the '60s Bond with Orwellian flourishes the very idea of a panopticon would have been crazy to think of in Fleming's era whereas now, it's a reality. Ralph Fiennes' M is battling internal politics as Andrew Scott's oily bureaucrat, C, is merging MI6 with MI5 to create a mass-surveillance system with other intelligence agencies around the globe. Where Skyfall was austere and serious, Spectre's more frivolous and fun.īond is suspended from MI6 following a botched assassination attempt in Mexico that leaves both he and the nature of the 00 Section in jeopardy. Where Casino Royale had to set up the world, Spectre is now in it fully formed.

And with that comes a certain freshness and a desire to work everything out of the system that was so restrained before. Given how Craig has been more than vocal about how he's done with Bond, there's a sense that when you sit down to watch Spectre, there's an element of finality to everything.